Get all 17 Axess releases available on Bandcamp and save 30%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Singularity, Sonic Diary, Imagination (full album), ZEN, I can see it in your eyes, Constellation, Selected Pieces 1999 - 2009, Edison's Legacy, and 9 more.
Axess Leverkusen, Germany
Axess is the musical solo project of Axel
Stupplich from Leverkusen, Germany. Since
1986 Axel is working on various
musical
projects, influenced by the electronic
music of the late 1970’s. Using
various digital & analog synthesizers and Cubase DAW he creates a
unique sound and his own little musical
universe. Axel is also a member of the bands "Pyramid Peak" and "Pyramaxx" (with Maxxess).
... more
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supported by 8 fans who also own “Infinity”
Beautiful Berlin School music. I especially love the nod to TD's "Ricochet" on Omega Pt.3. I hope the rumours of Arcane being "retired" aren't true, because music like this is too good to lose.
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supported by 8 fans who also own “Infinity”
Hallo Pyramide Peak , eine sehr schöne Scheibe geworden. Dankeschön für all die tollen Stunden mit euch. Favorit Track Transformation. Finde alle gut so ist das halt. LG
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supported by 8 fans who also own “Infinity”
If you make an album which is a tribute to a musical god it better be a good one...and this really is!. Paul has got it absolutely spot on and created a classic. This stands up to and above most tributes out there...superb.
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Klartraum - Liquid Dreams II [Psybient Album]
by Klartraum
This Bandcamp exclusive comes complete with a head-spinning background story (check the album notes) and eerie electronics.
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Dusty Patches collaborates with visual artist Jennifer Cronin to create an ambient album chronicling climate change in Newtok, Alaska.
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Klartraum - liquid dreams I [Psybient Album]
by Klartraum, Nadja Lind, Helmut Ebritsch
Expansive 15+-minute psydub that settles in like mist over the ocean, creating wonderfully moody atmospheres.
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supported by 8 fans who also own “Infinity”
One the best "electronic" recordings I've heard in quite some time and this is a credit to the writing, mixing and mastering from artist extraordinaire Paul Lawler
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